Matin Smith Love Song for a City Review
After Febrile?, one of the nigh influential worship bands of their time, disbanded in 2009, frontman Martin Smith released a string of EPs that eventually resulted in the full-length album, Back to the Start in 2014. Things were quiet on the worship forepart for the next four years, although he did class the rock band Army of Bones and released a strong self-titled debut. At present, Smith is returning to his worship roots and bringing a live anthology with him. Love Song for a City follows in the contempo trend of live worship albums, though Smith mixes in former and new songs with references to his Delirious? and Ground forces of Basic work. He also recorded the album over the course of 2 years in eleven countries, giving the anthology a more epic feel than its compatriots. The championship for this anthology originates every bit an Ground forces of Bones melody and was a highlight off that record. In a head-scratching motion, the song hither is relegated to hyping up the crowd with a dramatic bridge and chorus at the beginning and throwing in a hook at the finish of "Song of Solomon." Information technology works effectively in both instances, but it's curious that, given its title rails condition, the song doesn't get more than that. The recording is rounded out with another Army of Bones runway, "Ecclesiastes." The song carries a different experience in a more than worship-centered context, but is also effective. The lone Delirious? advent is the chorus of "Majesty" as a coda to "Waiting Here for You." The new songs introduced here are "Come Holy Spirit," "Spring of Faith," "I Will Sing," "Jesus Only Y'all" and the instrumental "Veni, Sancte Spiritus." "Come up Holy Spirit" is a ho-hum burn and acts as a proper opening with its tranquility first that grows in intensity, like an earnest prayer that grows in boldness. "Leap of Religion" is a fun, catchy track that stands out cheers to a spoken word segment by Holly Roe, which is powerful if not a picayune long. The spoken word outro doesn't land quite also and comes off a little cheesy as Roe shouts, This is/the jump/of/Religion!" "I Will Sing," though not as memorable musically, stands out for its vulnerable and honest lyrics such as, "I volition sing through the silence/I will sing when I'grand solitary/I will praise Your proper name forever/For my heart will exist Your home". The borderline clich� lyrics of "Jesus Only You" are saved by a quiet chorus in Spanish and the instrumental interlude that follows is nothing jaw-dropping in and of itself, merely works to add temper to the moment. The older songs mesh well with the newer ones and all are laid out in such a fashion where, if you have a free hour, you lot tin can worship along with audiences from effectually the earth and feel like you lot're in each crowd. Smith brings all his skill to deport and it greatly enhances the listening experience. He is energetic when the moment is fast-paced and celebratory, and then he is soft-spoken when the song is slower and reverent. The backing band and singers all get moments to shine and you tin can feel how they feed off each other. In a bottom artist's hands, the lyrics to most of these songs could come off as over-used phrases or cheesy lines, merely Smith brings a certain charm to the proceedings. Maybe it's the British rock flair, maybe it'southward his years of experience. Regardless, fans of Delirious? or Martin Smith's other solo work will enjoy this record, while newcomers may observe a fresh favorite worship artist. - Review date: vii/11/xviii, written by John Underdown of Jesusfreakhideout.com 
Record Label: Gloworks Limited (under exclusive license to Integrity Music)
Anthology length: xiii tracks: 73 minutes, 24 seconds
Street Date: July thirteen, 2018
Buy It: Apple tree Music
Purchase It: iTunes
Buy It: Amazon.com (CD)
Purchase It: AmazonMP3
Source: https://jesusfreakhideout.com/cdreviews/LoveSongforaCity.asp
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